Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Sir Augustus Wall Callcott
View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground

ID: 51828

Sir Augustus Wall Callcott View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground
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Sir Augustus Wall Callcott View of the Grote Kerk,Rotterdam,with Figures and Boats in the Foreground


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Sir Augustus Wall Callcott

1779-1844   Related Paintings of Sir Augustus Wall Callcott :. | The Deposition of Christ | Weimar, Nach dem Regen | Landscape with Jacob,Rachel and Leah at the Well | Abraham Sacrificing Isaac | Le Pont routier,Argenteuil |
Related Artists:
Mattheus Verheyden
Born 1700 Back Died 1776 Country Netherlands.
REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,
PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.






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